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1877–1953
Sculpture
An undisputed master of form, Alfred Laliberté developed an aesthetic oscillating between academic realism and symbolism. His style is distinguished by an exceptional ability to breathe movement and emotion into matter, whether in his monumental bronzes or his more intimate terracotta pieces. Influenced by Rodin during his studies in Paris, he combined rigorous technique with poetic sensitivity, creating faces of great psychological depth and compositions where the human body becomes the vessel for historical or allegorical narratives.
His artistic philosophy centered on the preservation of national identity. For Laliberté, sculpture was a duty of memory: he devoted a large part of his career to immortalizing the heroes, traditional trades, and legends of French Canada. His philosophy rested on the idea that art must be rooted in the soil to reach the universal. By creating his famous series Métiers d’autrefois (Trades of Yesteryear), he acted as an ethno-historian, capturing the nobility of peasant gestures and the poetry of folk tales, making his work a fundamental pillar of Quebec’s cultural consciousness.