Winter landscape

An artist of great formal daring, Henriette Mabel May developed an aesthetic of dynamic Post-Impressionism. Her style is distinguished by a broad and vigorous brushstroke, where color is applied with a freedom sometimes reminiscent of Fauvism. She excelled at capturing movement—whether the waves of the St. Lawrence, the wind in the trees, or the bustle of urban crowds. Her compositions are structured by a powerful organic rhythm, transforming the Canadian landscape into a living, vibrant entity, far removed from traditional statism.

Her artistic philosophy centered on modernity and emancipation. For May, painting was not meant to simply document nature but to express an emotional and sensory response to the modern world. As a central figure of the Beaver Hall Group, she fought for the recognition of women artists, advocating for an approach to art that was both intellectual and instinctive. Her philosophy rested on the idea that the landscape is a mirror of vital energy, establishing her as one of the first artists to breathe a resolutely modern and structured spirit into Quebec and Canadian iconography.